Bonface Orucho, Bird Story Agency….
Botswana borrows a page from South Africa’s cinematic playbook and strategically deploys film-friendly policies to revitalise its creative economy and position the southern African nation as an international filming hub.
According to Mary Bohanze, a film tutor at the South African Film Academy, early adoption of supportive policies and legislation have been vital to turbocharging South Africa’s film industry, “which is now a regional benchmark.”
“South Africa’s success has created a gravitational pull for regional players. Botswana’s emergence shows how one strong market can catalyse growth in neighboring countries.”
South Africa’s film and TV sector has long been a magnet for Hollywood productions and global streaming giants alike, hosting everything from moves like Blood Diamond, District 9, Invictus, Dredd, and Avengers: Age of Ultron to series like Queen Sono, Raised by Wolves, Black Mirror, Blood and Water, Warrior and One Piece.
While Cape Town studios host some of Marvel’s biggest films, Johannesburg has grown into Netflix’s African HQ.
2024 data from the Commercial Producers Association South Africa show the sector (the film industry) pulled over R2.5 billion (more than US$132 million) in foreign investment in eight months, with projections topping R5 billion (more than US$265 million) for 2025.
Botswana is seemingly keen to adopt South Africa’s success.
Botswana Ignite, the country’s film agency, launched in April last year with a mandate to transform the creative economy from the ground up, along with a suite of tax incentives designed to make filming in Botswana attractive to both local and international players.
In the year since, Botswana has attracted multiple local and foreign productions.
Since February 2025, Family Feud Botswana — a localized edition of the hit American game show hosted by Steve Harvey — has been airing across national screens (BTV and DSTV Botswana), marking the country’s first entry into high-profile, syndicated television.
Notably, Botswana is only the second African country to host the show, following the successful multi-season run of Family Feud South Africa, which concluded recently.
Botswana was the shooting location for the first African adaptation of Two Brothers Pictures Limited’s global hit, Liar, an acclaimed British psychological thriller, signaling a move into more complex, globally resonant storytelling.
According to a press statement, the film, shot on location in Gaberone, features a high-profile African cast, led by Motsoaledi Setumo (known for Showmax’s “The Wife” and Netflix’s “Soweto Love Story”) and Maxwell Dichi (known for long-running series Generations and Muvhango).
According to Duncan Irvine, the program director of Botswana Ignite, producing the film in Gaborone “has been a groundbreaking achievement.”
“There is an exciting pool of young filmmaking talent here in Botswana that fueled the creative drive to produce a uniquely compelling African version of this powerful and universally relevant story,” he explained.
The Botswanan adaptation is part of the continued global expansion of Liar. With Botswana now on board, the 2017 series has reached 15 international versions.
Yet, more shows are to come. ‘Hunted,’ a British reality TV show that follows 7 participants on a run and attempting to remain undetected for 14 days, will feature a Botswana edition. On their trail is an expert team of hunters using modern policing and security methods to find and capture the participants.
In Botswana, it will replicate the UK format, which now has a total global rollout into 12 territories.
Also, Botswana has recently secured the rights to host the Wildscreen Festival — an international showcase of nature and wildlife filmmaking backed by the BBC Studios’ Natural History Unit.
“From the 12th to the 13th of June 2025, Team Wildscreen and pals are bringing our iconic festival to the gateway to the Okavango Delta in Maun, Botswana,” Lucie Muir, the chief executive of Wildscreen, wrote on LinkedIn in March 2025.
Beyond Botswana, many African countries have been making bold reforms in a bid to boost their creative economies.
Ghana is making bold moves to position itself as a destination for global film productions by rolling out a 20% tax rebate and import duty exemptions to entice international filmmakers.
Initiatives such as the ‘Shoot in Ghana’ campaign and high-profile shoots, including the NFL’s Super Bowl commercial and Girls Trip 2, are proving the impact of the country’s smart incentives, showing that local talent and compelling locations can attract big-budget productions and stimulate job creation.
Similar progress is being made in Mauritius and Morocco.
According to the 2025 Entertainment & Media (E&M) report by PwC, revenues from entertainment and media across all markets in Africa will outpace the global CAGR of 3.9%.
In South Africa, revenue will grow from R295.3bn (US$16.1bn) in 2023 to R363.2bn (US$19.8bn) by 2028.
Nigeria’s market will surge from US$9.0 billion to US$13.6 billion, while Kenya’s will climb from US$3.8 billion to US$4.8 billion over the same period, according to the PwC report.
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